3,843 Royalty-Free Audio Tracks for "Open Tuning"

*77th subharmonic on C = A↓. Just: 128:77 = 879.86 cents. Limit: 11-limit. MIDI pitch bend: 71,89 on m6

*Sixty-ninth subharmonic on C = C♭-. Just: 128/69 = 1069.77 cents. Limit: 23-limit. MIDI pitch bend: 41,54

*Two-hundred-fifty-third subharmonic on C = D↓♭-. Just: 256/253 = 20.41 cents. Limit: 23-limit. MIDI pitch bend: 67,70

Sum and difference tones of A220 and unison, just perfect fifth, and octave. Note that this is not produced through ring modulation of two notes, but is four separate notes.

Two-hundred-forty-seventh subharmonic on C = C♯. 256/247 = 61.96 cents.

*Sixty-fifth subharmonic on C = C. Just: 128/65 = 1173.16 cents. Limit: 13-limit. MIDI pitch bend: 52,55

*Eighty-fifth subharmonic on C = A. Just: 128/85 = 708.73 cents. Limit: 17-limit. MIDI pitch bend: 101,66

*Twenty-third subharmonic on C = G♭-. Just: 32/23 = 571.73 cents. Limit: 23-limit. MIDI pitch bend: 121,54

*Ninety-first subharmonic on C = F♯. Just: 128/91 = 590.65 cents. Limit: 13-limit. MIDI pitch bend: 0,61

*Two-hundred-twenty-first subharmonic on C = E♭. Just: 256/221 = 254.52 cents. Limit: 17-limit. MIDI pitch bend: 57,49

Musical scale called "Ishartum" by Lou Harrison, often called the "Flamenco mode", in Pythagorean tuning on E, as follows: (by fifths) F-, C-, G-, D-, A, E, B (F♯+, C♯+, G♯+, and D♯+), or (in order) E (1/1), F- (256/243), G- (32/27), A (4/3), B (3/2), C- (128/81), D (16/9), E (2/1), with G♯+ being 81/64 and D#+ being 729/512. The final F- has an augmented sixth chord, B7b5/F (B D# F A), which resolves to a major chord that touches on the minor third.

Variatio 30 a 1 Clav. Quodlibet by Kimiko Ishizaka

Variatio 19 a 1 Clav. by Kimiko Ishizaka

Variatio 2 a 1 Clav. by Kimiko Ishizaka

Variatio 1 a 1 Clav. by Kimiko Ishizaka

Variatio 16 a 1 Clav. Ouverture by Kimiko Ishizaka

Variatio 3 a 1 Clav. Canone all'Unisuono by Kimiko Ishizaka

Variatio 22 a 1 Clav by Kimiko Ishizaka

Variatio 15 a 1 Clav. Canone alla Quinta by Kimiko Ishizaka

Variatio 20 a 2 Clav. by Kimiko Ishizaka

Variatio 7 a 1 ovvero 2 Clav. by Kimiko Ishizaka

Variatio 24 a 1 Clav. Canone all'Ottava by Kimiko Ishizaka

Variatio 23 a 2 Clav. by Kimiko Ishizaka

Variatio 28 a 2 Clav. by Kimiko Ishizaka

Aria by Kimiko Ishizaka

Variatio 6 a 1 Clav. Canone alla Seconda by Kimiko Ishizaka

Variatio 14 a 2 Clav. by Kimiko Ishizaka

Variatio 13 a 2 Clav. by Kimiko Ishizaka

Variatio 26 a 2 Clav. by Kimiko Ishizaka

Variatio 18 a 1 Clav. Canone alla Sexta by Kimiko Ishizaka

Aria da Capo è Fine by Kimiko Ishizaka

Variatio 27 a 2 Clav. Canone alla Nona by Kimiko Ishizaka

Variatio 25 a 2 Clav. by Kimiko Ishizaka

Variatio 21 Canone alla Settima by Kimiko Ishizaka

Variatio 17 a 2 Clav. by Kimiko Ishizaka

Variatio 10 a 1 Clav. Fughetta by Kimiko Ishizaka

Variatio 4 a 1 Clav. by Kimiko Ishizaka

Variatio 5 a 1 ovvero 2 Clav. by Kimiko Ishizaka

Variatio 11 a 2 Clav. by Kimiko Ishizaka

Variatio 9 a 1 Clav. Canone alla Terza by Kimiko Ishizaka

Variatio 12 Canone alla Quarta by Kimiko Ishizaka

Variatio 8 a 2 Clav. by Kimiko Ishizaka

Variatio 29 a 1 ovvero 2 Clav. by Kimiko Ishizaka

Semi-augmented whole tone on C (D#-), 125/108, 253.08 cents.

*Diminished fifth tritone (Pythagorean diminished fifth) on C = G♭-. 1024:729 = 588.27 cents. Limit: 3-limit. MIDI pitch bend: 32,92 on P4

Just augmented second in just C scale: A♭ and B.

*Classic diminished fifth on C = G♭. 36:25 = 631.28 cents. Limit: 5-limit. MIDI pitch bend: 1,74 MIDI.

*Semitone Maximus on C = D♭. 27:25 = 133.24 cents. Limit: 5-limit.

Primay triads in c, as MIDI

Septimal major triad (14,18,21) on C (C,Eㄥ,G).